Frans Hals and his workshop

RKD STUDIES

D11 - D23


D11 Wybrand Hendriks, Banquet of the officers of the Calivermen civic guard, c. 1780-18201

Watercolor, pencil, and pen in black ink on paper, 344 x 481 mm, signed in verso: F: Hals Pinxit / W: Hendriks Fecit
Haarlem, Teylers Museum, inv.no. W 043

Wybrand Hendriks (1774-1831) made several copies after paintings by Frans Hals, often in watercolour. Although most of these at a first glance appear to be exact copies after Hals, Leslie Schwartz has pointed out that the artist often chose to ‘enhance and beautify’ the examples.2 In this copy of Hals's Banquet of the officers of the Calivermen civic guard [1], Hendriks has used notably lighter colours and has applied less shadowing, giving his drawing a softer appearance in comparison to Hals’s painting. Most likely this and the other copies by Hendriks are documents of the formerly lighter appearance of the painted examples, before some pigments faded, lead white became transparent, and greens turned brown.

D11

1
Frans Hals (I) and Pieter de Molijn
Banquet of the officers of the Calivermen civic guard, 1627
canvas, oil paint, 183 x 266.5 cm
lower left: FHF
Haarlem, Frans Hals Museum, inv.no. OS I-111
cat.no. A2.8A


D12 Wybrand Hendriks, Identification sheet of Banquet of the officers of the Calivermen civic guard

Pen in grey and black and pencil on paper, 137 x 259 mm
Haarlem, Teylers Museum, inv.no. W 043a

The exact function of the identification sheets that Wybrand Hendriks (1774-1831) made on the basis of Hals's civic guard paintings, is unclear. According to Schwartz, Hendriks made this particular sheet after his watercolour copy (D11) and not before, meaning the sheet could not have served as a guide for the composition of the copy.3

D12


D13 Wybrand Hendriks, Banquet of the officers of the St. George civic guard, c. 1780-18204

Watercolor on paper, 399 x 537 mm
Haarlem, Teylers Museum, inv.no. W 041

Copy of the Banquet of the officers of the St. George civic guard from c. 1626-1627 [2].

D13

2
Frans Hals (I)
Banquet of the officers of the Saint George civic guard, c. 1626-1627
Haarlem, Frans Hals Museum, inv./cat.nr. OS I-110
cat.no. A1.30


D14 Wybrand Hendriks, Banquet of the officers of the St. George civic guard, c. 1780-18205

Watercolor on paper, 277 x 392 mm
Haarlem, Teylers Museum, inv.no. W 042
Copy of the Banquet of the officers of the St. George civic guard from c. 1626-1627 [2].

D14


D15 Wybrand Hendriks, Identification sheet of Banquet of the officers of the St. George civic guard, c. 1780-18206

Pencil and pen in black and grey on paper, 124 x 196 mm
Haarlem, Teylers Museum, inv.no. W 042a

Drawing, identifying the sitters of the Banquet of the officers of the St. George civic guard from c. 1626-1627 [2].

D15


D16 Wybrand Hendriks, Meeting of the officers and sergeants of the Calivermen civic guard, c. 1780-18207

Watercolor and pen in grey on paper, 333 x 514 mm, signed in verso: Fr. Hals Pinxit / W: Hendriks. Fecit
Haarlem, Teylers Museum, inv.no. W 044

This watercolour copy by Wybrand Hendriks (1744-1831) shows evidence of a fenced background in Hals's original group portrait of the civic guard company [3], that has largely disappeared from sight due to the darkening of pigments.8 The differentiated design of the trees and foliage in the background of the painting can nowadays be made visible under strong lighting and when manipulating the photograph on the computer. Thus, Schwartz’s previous suspicion that Hendriks invented the background in his drawing himself as an 'improvement’ to Hals's heavily shadowed and darkened composition, can no longer be maintained.9 In fact, Hendriks’s background appears to be a relatively detailed imitation of the background in the painted example by Hals. In addition, Hendriks’s drawing displays numerous details of the costumes, especially the woven patterns of the black fabrics which have darkened in the painting.

D16

3
Frans Hals (I), his workshop, and Pieter de Molijn
Meeting of the officers and sergeants of the Calivermen civic guard, c. 1632-1633
canvas, oil paint, 207 x 337 cm
Haarlem, Frans Hals Museum, inv.no. OS I-112
cat.no. A2.10


D17 Wybrand Hendriks, Identification sheet of The Meeting of the officers and sergeants of the Calivermen civic guard

Pencil and pen in grey on paper, 134 x 285 mm
Haarlem, Teylers Museum, inv.no. W 044a

Drawing, identifying the sitters of the Meeting of the officers and sergeants of the Calivermen civic guard [3].

D17


D18 Wybrand Hendriks, Portrait of Captain Johan Schatter, 1778

Watercolor on paper, 285 x 218 mm
Leiden, University Library – Special Collections, inv.no. PK-T-300

Partial copy of the central standing figure from Hals’s Meeting of the officers and sergeants of the Calivermen civic guard [3], positioned in an abstract landscape setting.

D18


D19 Wybrand Hendriks, Portrait of Captain Andries van der Horn, 1778

Watercolor on paper, 285 x 218 mm
Leiden, University Library – Special Collections, inv.no. PK-T-301

Partial, reversed copy of the standing figure at the right-hand side in Hals’s Meeting of the officers and sergeants of the Calivermen civic guard [3], positioned in an abstract landscape setting.

D19


D20 Wybrand Hendriks, The swearing in of the free corps Pro Aris et Focis in the great hall of the Doelen on April 5, 1787, 1787

Pen in black and brush in grey, 180 x 260 mm, inscription lower left: W: Hendriks ad vivum Delineavit
Haarlem, Noord-Hollands Archief, inv.no. NL-HlmNHA_53002294

Wybrand Hendriks (744-1831) has drawn this scene at least three times. On the back wall on the left he depicted Frans Hals’s Meeting of the officers and sergeants of the Calivermen civic guard of 1632-1633 [3], as it hung on the wall of the Oude Doelen in Haarlem. On the right hand side hangs the 1642 Officers and sub-alterns of the Calivermen civic guard by Pieter Soutman (c. 1593/1601-1657) [4]. This drawing, its variants and the engraving are the only visual documents of the original hanging of one of Hals’s civic guard paintings. The inscription in the lower left corner of the present drawing indicates that Hendriks drew this scene after life, whilst he was present at the event depicted. As such it is his first version of the composition, which he later on repeated.

D20

4
Pieter Soutman
Officers and sub-alterns of the Calivermen's civic guard, Haarlem, dated 1642
Haarlem, Frans Hals Museum, inv./cat.nr. OS I-313


D21 Wybrand Hendriks, The swearing in of the free corps Pro Aris et Focis in the great hall of the Doelen on April 5, 1787, 1787

Watercolor on paper, 215 x 395 mm
Haarlem, Noord-Hollands Archief, inv.no. NL-HlmNHA_53002295_M

D21


D22 Wybrand Hendriks The swearing in of the free corps Pro Aris et Focis in the great hall of the Doelen on April 5, 1787, 1787

Pen and brush in black and brush in grey, 254 x 373 mm
Haarlem, Noord-Hollands Archief, inv.no. NL-HlmNHA_53002296_M

D22


D23 Isaak Jansz. de Wit and Pieter Hendrik Jonxis, The swearing in of the free corps Pro Aris et Focis in the great hall of the Doelen on April 5, 1787, 1787

Engraving, 327 x 419 mm
Haarlem, Teylers Museum, inv.no. KG 07720

D23


Notes

1 Haarlem 2023, no. 115.

2 Schwartz 2004, no. 144.

3 Schwartz 2004, no. 134.

4 Haarlem 2023, no. 114.

5 Haarlem 2023, no. 104.

6 Haarlem 2023, no. 104a.

7 Haarlem 2023, no. 116.

8 See Slive 1970-1974, vol. 3, p. 47 for a more detailed description of the differences between the painting and the drawing, and of the changes in the painting’s condition since its completion.

9 Schwartz 2004, cat.no. 137.

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