D33 - D42
D33 Possibly Jonas Suyderhoef, Portrait of a man, possibly Theodorus Schrevelius, after 1628
Black chalk on paper, 225 x 188 mm, inscription and date centre right: TAT SVAE / ANo 1628
Amsterdam, Rijksmuseum, inv.no. RP-T-1937-55
This drawing, which was possibly made by Jonas Suyderhoef (1614-1686), faithfully copies Hals’s painted example (A3.11), including even most of the inscription and date.
D33
D34 Anonymous, Portrait of a man, 1634 or later
Black and white chalk on paper, 255 x 182 mm, dated centre right: 1634
Frankfurt am Main, Städel Museum, inv.no. 811
This drawing shows the original format of the now reduced Portrait of a man, dated 1634, in Budapest [1].
D34
1
Frans Hals (I)
Portrait of a man, dated 1634
Budapest, Szépmüvészeti Múzeum, inv./cat.nr. 4158
cat.no. A1.68
© Museum of Fine Arts Budapest
D35 Anonymous, Portrait of a Man, 18th century
Watercolor on paper, 336 x 269 mm, inscription upper left: Joh. VSpronck
Dayton, Dayton Art Institute, inv.no. 1965.7
Pendant to D36
D35
D36
2
Frans Hals (I)
Portrait of a man, dated 1634
San Diego (California), Putnam Collection Timken Museum of Art, inv./cat.nr. 1955:003
cat.no. A1.70
© Putnam Foundation, Timken Museum of Art, San Diego
3
Frans Hals (I)
Portrait of a woman, dated 1634
Detroit (Michigan), Detroit Institute of Arts, inv./cat.nr. 23.27
cat.no. A1.71
D36 Anonymous, Portrait of a Woman, 18th century
Watercolor on paper, 336 x 269 mm, inscription upper left: Joh. VSpronck
Dayton, Dayton Art Institute, inv.no. 1965.8
Pendant to D35
These drawings are inscribed on the reverse ‘Mons. Mers. En/huisvrouw’, and ‘Cath: V[U]ulp huisvrouw van/mons Mers’. On the front, the date and the age of the sitters are noted near the upper edge on the right, as they are in the paintings that served as the examples [2][3]. And on the upper left of the copies, we find the inscription ‘Joh. VSpronck’. Slive thought it possible that Johannes Cornelisz. Verspronck (c. 1601/1603-1662) had made copies after Hals’s portraits, which in turn would have been the model for the present drawings.1 This is entirely possible, see also the Portrait of Maritge Claesdr. Vooght and its copy by Verspronck (A3.33 and A3.33a).
D37 Abraham Delfos, Portrait of a family, c. 1750-17922
Black chalk on paper, dimensions unknown
Sale Leiden (Delfos), 19 October 1792, Konstboek A no. 4
In the 1792 sale catalogue, this drawing is described as: ‘A family of four persons, full-length in old Dutch costumes, with intricate collars around their necks, with more details elaborate with black chalk on East-Indian paper, after Frans Hals by A. Delfos’.3 Probably, it was copied after the Portrait of a family in Cincinnati (A3.29).
D38 Abraham Delfos, Portrait of a man, probably Ghijsbert Claesz. van Campen
Black and red chalk on grey paper, 400 x 289 mm
Whereabouts unknown
Abraham Delfos (1731-1820) more frequently created drawn copies after paintings by Hals, for instance the these five chalk drawing of some of the faces from the Van Campen family portrait [4].
D38
D39 Abraham Delfos, Portrait of a woman, probably Maria Joris
Black and red chalk on grey paper, 400 x 289 mm
Whereabouts unknown
D39
D40 Abraham Delfos, Portrait of a child
Black and red chalk on grey paper, 250 x 283 mm
Whereabouts unknown
D40
D41 Abraham Delfos, Portrait of a girl
Black and red chalk on grey paper, 390 x 292 mm
Whereabouts unknown
D41
D42 Abraham Delfos, Portrait of a boy, possibly Nicolaes van Campen
Black and red chalk on grey paper, 330 x 280 mm
Whereabouts unknown
D42
4
Frans Hals (I), Gerrit Claesz. Bleker and Salomon de Bray
Portrait of Gijsbert Claesz. van Campen, Maria Joris and their children, c. 1623-1625 and 1628
canvas, oil paint, 151 x 163.6 cm
lower left: FH / S. de Bray /1628
Toledo, Toledo Museum of Art, inv.no. 2011.80
cat.no. A2.3
Notes
1 Slive 1970-1974, vol. 3, p. 57.
2 Following the dates of the active period of Abraham Delfos and the year that the drawing was first reported at the 1792 sale.
3 ‘Een Familje, van vier personen, ten voeten uit in oude Hollandsche kleeding, met gewerkte kragen om haar hals, met meer bywerk uitvoerig met zwart kreit op Oostind. Papier getekend, na Frans Hals door A. Delfos’.